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Monday, March 30, 2026

Rani Mukerji: How the Industry and Fans Helped Me Break the Glass Ceiling

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In an industry that has historically sidelined lead actresses after marriage or motherhood, Rani Mukerji is busy rewriting the rulebook. Celebrating a landmark 30 years in Indian cinema, the versatile star recently opened up about her journey, crediting both the film fraternity and her loyal audience for helping her shatter the “glass ceiling” that once limited the careers of women in Bollywood.

Redefining the “End of the Road”
For decades, a common narrative persisted in the film world: once an actress starts a family, her time as a leading lady is over. However, Mukerji, who recently starred in the critically acclaimed Mrs. Chatterjee vs Norway and is gearing up for Mardaani 3, insists that these barriers are finally crumbling.

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“The industry and the viewers have played a significant role in helping me break through the glass ceiling,” Mukerji shared in a recent conversation. “There was a time when the ‘family way’ was considered the end of the road for an actress. But fortunately, that didn’t stop directors from choosing me for powerful roles even after I became a wife and a mother.”

A Career of Intentional Choices
Mukerji’s longevity is no accident. From her debut at age 16 in Raja Ki Aayegi Baraat to her 2026 status as a “Timeless Icon,” she has consistently gravitated toward characters with agency. She points to films like Hum Tum, Black, and the Mardaani series as turning points where she sought to portray women as “agents of change” rather than mere ornaments.

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“I love stories where women dare to take on patriarchy and smash the glass ceiling with their ambition and talent,” she noted. “I’ve always wanted to show women as fiercely independent. My characters are written with emotional intelligence and the strength to rise above challenges.”

The Shift in Audience Mindset
Perhaps the biggest shift, according to Mukerji, is in the audience’s appetite for substance. She argues that the success of her recent projects proves that viewers no longer judge a film based on the gender of the protagonist or the personal life of the actor.

She has been a vocal critic of the label “women-centric films,” suggesting that cinema should be judged purely on the quality of the story. “We don’t call movies ‘men-centric,'” she challenged during a recent summit. “It is time to view actors simply as actors and films as good or bad stories.”

Looking Ahead: The New Chapter
Now 47, Mukerji says she feels like a “newcomer” all over again. With her daughter, Adira, growing older, the actress feels she has more time to devote to her craft and is eager to explore “nuanced representations of womanhood” that haven’t been seen on screen before.

“If these 30 years have taught me anything, it’s that longevity is about staying honest,” she concluded. “I’ve taken breaks and returned on my own terms. I owe everything to the people who believed in me and the audiences who grew up with me.”

As she prepares for her next phase, one thing is clear: Rani Mukerji isn’t just surviving in the industry—she is leading it into a more inclusive future. To know such
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