Actress Nushrratt Bharuccha, known for her roles in films like Pyaar Ka Punchnama and Sonu Ke Titu Ki Sweety, has often spoken candidly about the prevalent male dominance in the film industry. Her recent remarks on the slow but inevitable shift in this dynamic offer a realistic perspective on Bollywood’s gender landscape.
Bharuccha has starred in several films that are, by design, centered around male characters. Rather than dismissing these projects, she has stated that the lack of apprehension about doing them stems from a pragmatic view: for her, the importance lies in being part of a good film overall.
The actress highlights a broader societal issue influencing the types of films that get made and succeed. She points out that the sheer numerical dominance of the male population in the country contributes to why male-dominated narratives might historically run longer or be made more frequently. It is a reflection of the national situation and the viewing habits that have been established over many years.
A key takeaway from Bharuccha’s statements is the understanding that “change will not happen overnight; it will take time.” This sentiment reflects an acknowledgment that entrenched industry practices, from scripting to casting and even on-set facilities like vanity vans and washrooms (which she has noted are often better for male stars), are a part of a larger, systemic issue of sexism and patriarchy.
However, the actress remains optimistic about the direction the industry is moving. She believes that the change is certainly on its way. She cites the success of several recent women-led films—such as Mimi, Chhorii, Dream Girl, Akelli, and Pink—as evidence that audiences are connecting with female narratives and that these films are performing well commercially.
Bharuccha is a strong proponent of the idea that heroism is not gender-based. She champions the possibility for female characters to take on the ‘hero’ mantle, stressing the need for more of these roles to be written and produced. She notes that good female-centric scripts, like her own post-Chhorii roles, are being recognized, leading to filmmakers seeking her out specifically for “heavy roles.”
This growing body of work focused on women, even in small numbers, is a powerful sign of progress for her. For the actress, the true marker of success isn’t just an arbitrary number at the box office, but the shift in perception that allows her to be offered more women-led projects. To know such latest updates, stay tuned to tellyboosters.com Thank you!
