Renowned filmmaker Sudhir Mishra recently shared his thoughtful perspectives on the evolving landscape of cinema, the cautious integration of Artificial Intelligence (AI), and the profound value of incorporating theatre into school education. His address offered a compelling blend of praise for modern tools and a stern warning against creative complacency, ultimately advocating for a conscious, human-centric approach to art.
Mishra views Artificial Intelligence not as a threat to creativity, but as a potentially “great assistant” and an invaluable “research tool” for filmmakers and writers. He admitted to using AI himself, noting its power in tasks like generating scratch films—a kind of moving storyboard—or sketching out complex scenes.
He sees it as a technological advantage that can help filmmakers achieve a scale that was previously restricted to only a few. AI, in this capacity, can handle the more tedious or redundant aspects of production, such as the unnecessary tasks often assigned to certain assistant roles.
However, this endorsement comes with a critical caveat: AI must remain a tool, not a master. Mishra strongly cautioned against allowing AI to govern the creative process. He warned that the moment a creator becomes lazy or stops using their own mind, they risk being completely taken over by the machine, losing their unique voice and vision.
He insists, “You have to control it. You must know what you want.” The most serious danger, in his opinion, lies in corporate circles where decision-makers might mistakenly believe AI can replace human writers and artists. He firmly argues that writers remain essential and AI should serve their craft, not replace them entirely.
Beyond the technological debate, Mishra passionately highlighted the importance of integrating theatre and acting into school curricula. He views performance as more than just an extracurricular activity; it is a vital tool for personal development.
Mishra advocates for theatre as a form of “therapy” that helps children develop self-confidence and overcome shyness. Acting, he notes from personal experience, is a “liberating” activity that allows individuals to articulate their thoughts and state things clearly.
Finally, Mishra touched upon the nature of good cinema and the filmmaker’s relationship with their audience. He spoke about the need for filmmakers to respect the “dharma” of storytelling and the “lovely energy called cinema.” Good films, he suggests, are a result of genuine storytelling prowess, and those who can write well will continue to thrive, even amidst the changes brought about by AI. To know such latest updates, stay tuned to tellyboosters.com Thank you!
