For a long time, the rumor mill in Bollywood was spinning fast with news that Siddhant Chaturvedi—the breakout star of Gully Boy—was the top choice for the Hindi remake of the Telugu hit Dear Comrade. Given the original film’s cult following and Vijay Deverakonda’s intense performance, fans were eager to see if “MC Sher” would take on the mantle.
However, Siddhant has recently cleared the air, and his stance is a refreshing departure from the usual Bollywood trend: he is officially done with remakes.
Siddhant’s decision isn’t necessarily a critique of the original film, which was widely praised for its emotional depth and music. Instead, it reflects a growing sentiment among the younger generation of actors who want to build a legacy on original storytelling.
In recent interviews and industry circles, Siddhant has voiced a clear preference for scripts that haven’t been “tested” in other languages. His logic is simple: when you remake a film, you are constantly measured against the original performance. For an actor who prides himself on spontaneity and unique character choices, that “template” can feel more like a cage than an opportunity.
“I want to bring something new to the table. If the audience has already seen the magic happen once, why try to mimic it? Let’s find a new story to tell.” — The sentiment behind Siddhant’s recent choices.
Siddhant’s pivot comes at a time when the Indian audience is experiencing significant remake fatigue. With the rise of streaming platforms, most cinephiles have already seen the original Dear Comrade with subtitles.
By saying no, Siddhant is signaling a few key things:
Remakes are often seen as “safe” box-office bets. Siddhant seems more interested in the risk of a new idea. He wants to be known for roles he originated, much like his performance in Gehraiyaan or Kho Gaye Hum Kahan.
There is a growing school of thought that some performances like Deverakonda’s in this case are so definitive that they don’t need a second version.
By closing the door on Dear Comrade, Siddhant is opening doors to more experimental and contemporary narratives. He is currently focusing on projects that reflect the pulse of modern India—stories about urban loneliness, digital friendships, and complex relationships.
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