The Hindi film industry is witnessing a major verbal showdown as acclaimed director Amit Rai has strongly hit back at veteran actor Paresh Rawal over the creative rights of the blockbuster film OMG 2. The controversy erupted after Rawal publicly claimed that the core concept of the social drama was his original idea and that the makers failed to give him any formal acknowledgment or credit once the project expanded. Dismissing these allegations as completely baseless, Amit Rai questioned the very foundation of the actor’s statements, asking the basis on which such massive claims are being made after so much time has passed since the movie’s successful release. The filmmaker emphasized his deep respect for Rawal’s legendary stature in Indian cinema but firmly asserted his absolute authorship over the entire project from its inception to execution.
Defending his creative ownership with strong conviction, Amit Rai described his relationship with the movie as equivalent to raising a child, noting that he was the sole creator responsible for every stage of its growth, from writing the script to executing the final direction and navigating the intense censorship hurdles before release. To back his statements, the director pointed out that the official certificate from the Screenwriters Association explicitly bears his name as the registered writer, providing clear and legal proof of his authorship. Rai also expressed confusion over why Rawal decided to raise this grievance now, questioning why the veteran star stayed silent for nearly three years if he truly felt wronged during the production phase. Furthermore, the filmmaker clarified that the credit structure and financial compensation are matters handled strictly by the producers and lead star Akshay Kumar, hinting that any personal opinions regarding production politics should be directed toward the studio rather than the writing department.
The dispute originally started when Paresh Rawal opened up in a detailed interview about how the project first took shape under his guidance. The veteran actor revealed that he had approached Amit Rai after admiring his work on Road to Sangam, proposing a collaboration where Rawal would contribute story ideas and screenplay feedback while Rai handled the formal writing. According to Rawal, their initial narrative was designed as a pure father-son drama focused intensely on sex education and social shaming, featuring a tourist guide father at Khajuraho temple and a helpful biker who acts as a mentor figure. Rawal explicitly noted that his vision contained absolutely no divine characters or religious elements, and he had deliberately avoided pitching it to Akshay Kumar to prevent the audience from viewing it as a commercial franchise sequel to their original 2012 hit film OMG. He alleged that the project was later handed over to Akshay Kumar through production channels, prompting major narrative rewrites that introduced the messenger of God character, which ultimately caused Rawal to walk away from the movie because it no longer aligned with his envisioned story.
Adding intense momentum to this creative dispute, the producers of the film have also stepped forward to support the director and strongly counter the veteran actor’s claims. Producer Ashwin Varde issued a detailed statement labeling Rawal’s allegations as highly unfair and clarifying that the legal Intellectual Property rights of the franchise belonged to Akshay Kumar, making it unethical to develop a sequel format under a different guise without approval. The production unit also countered the actor’s narrative regarding lack of acknowledgment by revealing that Paresh Rawal was actually given due credit as a producer on OMG 2, with the screen credits officially assigned to his wife Swaroop Rawal and business partner Hemal Thakkar alongside a structured financial payout for the project. While the industry remains divided over this sudden war of words, the official records and registration documents firmly maintain Amit Rai’s stance as the sole architect of the highly successful social drama.
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