Renowned filmmaker Anurag Kashyap has publicly distanced himself from his recent crime-thriller Bandar, starring Bobby Deol, revealing that the version released in theatres does not represent his intended final cut. Speaking during a candid interview on comedian Kunal Kamra’s YouTube channel, Kashyap broke his months-long silence on the film and admitted that he deliberately avoided participating in promotional interviews around its theatrical release because he could not fully stand by the final output. Addressing the widespread backlash and criticism the movie received—particularly from viewers who found its narrative surrounding sexual assault allegations and the MeToo movement to be lopsided or misogynistic—the director überrasching accepted the public response, explicitly stating that the audience and critical backlash directed at the film is entirely valid because key editorial changes significantly altered the story’s overall perspective and balance.
Explaining why he had even advised personal friends like Kamra against watching the theatrical release, Kashyap detailed how substantial cuts made in the editing room affected the final outcome. While emphasizing that he shot the entire project himself and that the visual language remains his own, he pointed out that taking out crucial scenes fundamentally shifted the narrative’s tilt and diluted the core message he originally intended to convey. The director further opened up about the harsh practical realities of modern Indian cinema, observing that increased corporate studio dominance and high financial stakes often strip independent-minded filmmakers of creative control over their final cuts. He noted that when projects face delays, rising production costs transform films into financial liabilities, leaving release decisions and final editorial authority entirely in the hands of studio executives rather than the creators. Despite expressing relief that a section of the audience still understood his underlying intentions, Kashyap maintained that he accepts the criticism without defense, reaffirming his refusal to take ownership of a cut he did not sanction.
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